The Throes of Crime with Erik Arneson

I’m thrilled for my good friend and all around great writer/editor/comic writer/boardgamer/dude, Erik Arneson, and the recent release of his debut short story collection, THE THROES OF CRIME.

the-throes-of-crime-finalCalculating hitmen. Corrupt politicians. Sociopathic rock singers. Incompetent private investigators. Sword-wielding orangutans. You’ll find them all in THE THROES OF CRIME, a collection of 26 short stories and six true-crime essays by Derringer Award finalist Erik Arneson.

Arneson’s stories, which flow effortlessly from dark noir to wicked humor, have been published by Thuglit, Needle, Otto Penzler’s Kwik Krimes, Akashic Books’ Mondays Are Murder, Shotgun Honey, Out of the Gutter Online, and more. THE THROES OF CRIME also features seven brand-new short stories, never before published anywhere.

All proceeds from THE THROES OF CRIME benefit the James & Jeanne Arneson Memorial Scholarship Fund, which provides financial support to graduates of Wilmot High School in Wilmot, South Dakota, who display an aptitude in creative writing by authoring a short story. The goal of the scholarship is to encourage students from Wilmot to continue writing fiction well beyond high school, to tell the stories that only they can tell. Powerful stories and funny stories and magical stories – stories the world is waiting for, even if it doesn’t realize it just yet.

THE THROES OF CRIME is your debut collection. Congrats! Give me the quick pitch!

Thanks! The Throes of Crime is a collection of 26 short stories and six true-crime essays. Some of the stories are brand-new; others were previously published by Thuglit, Needle, Shotgun Honey, Out of the Gutter Online, Mary Higgins Clark Mystery Magazine, and more. The essays were first published in Duane Swierczynski’s great comic book The Black Hood.

All proceeds from the book go to a scholarship fund set up in memory of my parents to benefit graduates of Wilmot High School in Wilmot, South Dakota.

Did you notice any themes emerge over the course of putting the book together?

Some themes definitely emerged even though the stories cover a variety of times, from the mid-19th century to the present, and locations, from St. Petersburg, Russia, to Superior, Wisconsin. The table of contents is split into categories like crimes of vengeance, crime in the workplace, and partners in crime.

There’s also — despite there being some pretty dark, noirish stories in the collection — a good amount of humor to be found in the book.

Given your background in government, have you worked politics into your fiction?

How could I not? One of my favorites (“Twitter and Coke”) is a story written entirely in the form of tweets about a politician who really, really should not be allowed to use Twitter unsupervised.

Another (“All Alone”) is set in 1951 Philadelphia, a time when the city was embroiled in a vast web of corruption by public officials. It was so bad that at least six city employees wound up committing suicide.

What draws you to writing crime?

The fact that the stakes are so high for everyone involved. And it usually doesn’t matter if the crime seems silly on the surface, like stealing used french fry grease. If someone commits a crime, there’s probably something going on that’s worth exploring. Desperation, jealousy, greed, fear — those are powerful things and endlessly interesting to write about.

I especially enjoy stories that touch on how the human spirit can continue to shine in life’s darkest moments.

Favorite Shotgun Honey memory?

Shotgun Honey is an amazing website. As editors, we received so many great submissions. I always loved opening a story from an author I’d never heard of before and being blown away. But my favorite memory is easy: Hanging out with you, Jen Conley, and our fearless leader Ron Earl Phillips at Bouchercon in Albany, New York.

If you could turn one of your stories into a board game, which would it be? Why?

I love this question. I’m going with “Dairy of Destruction” because the idea of a board game about a gang of barnyard animals plotting to take over the world delights me.

Top 5 board games?

My list of favorite games is always changing because there are so many great games available today. It’s a fantastic time to be a board gamer!

Pandemic Legacy is at the top of the list. Brilliant and compelling. The gameplay is superb, and the storyline that evolves over the course of repeated plays is unlike anything I’ve experienced before in a board game.

Other current favorites include Ticket to Ride: Pennsylvania (building train routes in my home state — hard to get better than that!), Codenames (a truly genius party/word game), and America (an excellent party/trivia game). Finally, it’s been far too long since I’ve played Betrayal at House on the Hill; there’s a new expansion called Widow’s Walk that I’m looking forward to playing.

Thanks, Erik! Check out THE THROES OF CRIME on Amazon.

Erik Arneson lives in Pennsylvania with his wife and editor, Elizabeth. His first book, THE THROES OF CRIME, is available now. He hosts the Title 18:Word Crimes podcast. His comic book FORTUNE is available from Comixology, Indy Planet, and NoiseTrade. Find him at ErikArneson.com.

Sports Manga!

My latest Manga For Beginners column is up at LitReactor covering…. *drum roll*

!SPORTS MANGA!

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Check it out & stay tuned for some Horror (natch) coverage in October!

Why I’m Pulling WRESTLETOWN From Inkshares

I’m pulling WRESTLETOWN from Inkshares this week.

Last night I sent the following to supporters on Inkshares:

Dear supporters,

I’m reaching out with some unfortunate news. I will be pulling WRESTLETOWN from Inkshares this week and discontinuing the campaign. All of you will receive refunds at that time.

Why?

This past Thursday I was made aware through a friend that Inkshares went through a major restructuring in July. As part of the restructuring, the new CEO revised the publishing agreement, changing the royalties from 50% gross to 35% net. He wrote a column on Medium.com explaining this, and emailed authors who had successfully funded a book, or had a book in production. However, he/Inkshares neglected to directly notify any of the authors with projects in progress on Inkshares. In a phone call with the CEO on Friday, I was told this was done because it would have been too much work/overwhelmed the company to handle the potential traffic from notifying that many people.

This is both unprofessional and unacceptable.

According to the CEO’s column, this change was done to save the company, as it was bleeding money. Great. I spent an extra month spending time and money promoting WRESTLETOWN because my publisher did not value updating me on a change in our agreement. Beyond that, I spent months pouring hours into a book only to find the terms changed to ones I never would have agreed to in the first place.

I was told by the CEO that the vast majority of authors found this change in terms to be acceptable. Many Inkshares authors are receiving this email tonight as supporters of WRESTLETOWN. I appreciate your support, but you should not find this change acceptable. Not only is it a decrease in percentage, but a change from GROSS to NET – a NET that is only approximately defined. There is no guarantee that Inkshares won’t change the terms again, as they operate with a take-it or leave-it policy.

On a positive note, I so appreciate all of your support over the past few months. From pre-orders, kind words and spreading the word, I can’t tell you enough how much it means to me. I’ve spoken with Andrew and we’ll work to bring WRESTLETOWN to life through another means, but for now I’m going to put the project on hold for a month and regroup.

Until next time…

Let’s kick this pig!

Chris

 

 

Guest Editor at Smokelong Quarterly

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I’m honored to be this week’s guest editor for Smokelong Quarterly. Check out the guidelines (1000 words max), and submit! All submissions are blind to avoid any bias/conflict of interest. I’ll be reading all of the stories submitted during this week and selecting one for publication – AND giving away a signed copy of Safe Inside the Violence.

There’s also a new interview with me up at the site that will give you an idea of the kind of stories I’m most interested in. Check it!